fahrenheit 9/11

Cried? You mean actual tears? Six or Seven times?
Let me start by saying that Tony is a god in my book. The Busblog is the essence of effective and interesting blogging. He has codified what every blogger should do to be read. And he's right.
But, cried?
I saw Fahrenheit 9/11 on Saturday. Ironically, I saw it with Michael Moore. Not the Michael Moore. Another one.
One who's not so annoying.
I was so completely alienated by the condescending and pedantic tone of his voiceover that I was too pissed to even consider crying. Clearly his goal was to convince by bullying the audience into feeling stupid if you didn't see it his way.
Even if I did see it his way, I'd still have been pissed.
By the time stuff came around that I was clearly supposed to cry about, I felt completely manipulated.
I cry at movies (Dead Poet's Society). Hell, I cry over TV commercials ("Do it again, Daddy"). But I cry over truly moving moments. I don't cry because the filmmaker (a la Terms of Endearment) has chosen to show me pictures of someone crying.
I'm not saying that he didn't construct some tragic scenes. Showing a pastoral scene in Baghdad the day of the initial bombing juxtaposed with the actual bombing and burned corpses is certainly a tragic scene, but so clearly manipulative as to piss me off even Moore.
Consider this MSNBC Interview:
TAPPER: You declare in the film that Hussein's regime had never killed an AmericanSince when is this kind of semantic shell-game anything but manipulation?
MOORE: That isn't what I said. Quote the movie directly.
TAPPER: What is the quote exactly?
MOORE: "Murdered." The government of Iraq did not commit a premeditated murder on an American citizen. I'd like you to point out one.
TAPPER: If the government of Iraq permitted a terrorist named Abu Nidal who is certainly responsible for killing Americans to have Iraq as a safe haven; if Saddam Hussein funded suicide bombers in Israel who did kill Americans; if the Iraqi police--now this is not a murder but it's a plan to murder--to assassinate President Bush which at the time merited airstrikes from President Clinton once that plot was discovered; does that not belie your claim that the Iraqi government never murdered an American or never had a hand in murdering an American?
MOORE: No, because nothing you just said is proof that the Iraqi government ever murdered an American citizen. And I am still waiting for you to present that proof.
The last half of the movie was spent essentially trying to convince us that war is bad. Not necessarily even this war.
Okay, all war is bad--I'll stipulate that. All dentist visits are bad too. But that wasn't the implied point of the film--it was simply off track. It wasn't Bush that made war bad. I think Spielberg and Stone have well-convinced us that war is bad. Why dilute his message?
Did we get into a war under false pretenses? Did Bush have shady connections that may have influenced him? Moore raises many issues, once you cut through the sarcasm and manipulation. He has given me fodder for thought and discussion.
Did Moore convince me of anything? No more than JFK did.
Did Moore make me cry?
Not a chance.